Yamaha Total Piano Rebate

Yamaha Rebate Jump 2-14

The Yamaha Total Piano Rebate: Yamaha has announced a unique and broad spanning opportunity to get instant factory rebates on over 50 of some of the most popular Yamaha models.

Buy any one of these qualifying Yamaha Acoustic, Disklavier, Hybrid, TransAcoustic, Clavinova or Silent Piano and receive an instant rebate valid for up to $1,000 off! Don’t wait, this offer expires March 31, 2015.

With over a century’s worth of experience manufacturing world-class acoustic pianos and over a half-century in Hi-Fi audio and electronic instruments, only Yamaha can offer such a range of Acoustic Pianos, Pro Stage Pianos and Industry-Standard Synthesizer Workstations to consumer Portable Keyboards and Digital Pianos. Only Yamaha can offer an instrument for musicians at every level.

Unparalleled in their beauty and musical range, Yamaha’s Acoustic Pianos are the ultimate expression of the piano maker’s art.

The culmination of over 100 years of craftsmanship and design, every stage of the Yamaha piano manufacturing process is predicated on time tested techniques honed over the years by Yamaha craftsmen. Following the best practice and traditions of fine musical instrument building, the eyes, ears and hands of each craftsman, along with their passion for the piano, make it possible for new instruments and sounds to be born each day.

For more information about specific models and rebates at the Jordan Kitt’s Music near you, visit here.

The DC area piano business is alive and well

There’s been a lot in the national and local press lately discussing the decline of the piano industry, based mainly on a dated and cursory examination of a microcosm of the industry that a small amount of fact checking would have done much to dispel. The following is a response from Jordan Kitt’s President Chris Syllaba which indicates the DC area piano business is alive and well.

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The DC Piano Industry is Alive and Well.

Despite recent articles to the contrary, the piano business in and around the nation’s capital is strong. There has been a recent focus on the “30,000 to 40,000 (acoustic) pianos” being produced annually to the exclusion of the 100,000+ digital and technology-equipped pianos sold annually which is simply not an accurate picture of the piano industry. This also doesn’t include mention of the estimated 100,000+ used pianos sold each year up from a virtually non-existent used piano business in the early 1900’s. And while the quality is debatable, there are also hundreds of thousands of portable keyboards sold each year to families starting their children on piano lessons. The recent assessments would be the equivalent of judging the telecommunications industry based on sales of rotary phones, or perhaps concern over the declining popularity of Blackberry devices because they now account for only ½% of the smartphone market.

Much more indicative of the returning health and vibrancy of the piano business and music education in DC is the 102 year-old piano retailer and Washington institution, Jordan Kitt’s Music. Founded in 1912 on 13th and G streets NW, just a stone’s throw from the White House, this venerable company has persevered and excelled through good and bad times alike, including some of the most difficult times in our history such as The Great Depression, World War II and the most recent recession and subsequent financial crisis. This has been accomplished through the time honored tradition of providing good service, adapting to changing times and cultivating long-standing relationships and sales with virtually every music and cultural institution in the Washington DC area.

While the very narrow segment of new acoustic pianos is indeed a maturing industry, recent articles ignore many aspects of the industry that have changed dramatically and positively over the last 30 years. It should also be noted that there are many more successful piano dealers in America today, by a huge multiple, than unsuccessful ones; due to a willingness and ability to change with the times and stay relevant.

With its size and breadth of products, services and education offerings, Jordan Kitt’s is a much better indicator of the health of the industry in the DC market as well as nationally. While sales of certain acoustic pianos (think grandma’s spinet piano of the 1950’s) have declined or disappeared entirely, sales of other categories like digital pianos, hybrid pianos and player grands are booming. Just one example is Yamaha’s recent introduction of entirely new categories of piano instruments (like hybrid and TransAcoustic pianos) that weren’t even available five years ago and that are much more relevant than our parents’ old clunker in the basement.

Contrary to the quoted assertion that “children are too busy, with their sports and their iPads and their instant gratification”, music education is still very much alive. This is evidenced by Jordan Kitt’s education revenues as a percent of total sales per store, which have doubled over the past 10 years. Also, established music schools like the Levine School of Music (with revenues of over $9 Million a year out of only a handful of locations) indicate that there are still plenty of parents out there that value piano lessons and music education in general. A vibrant music education environment, both publicly and privately, is the most important leading indicator of sales growth going forward.

Other excuses like “competition is too great”, “houses are too small (Really? The average home size of around 2,600 square feet is the largest ever)”, and “the world is moving too fast” are just that; ill researched conjectures and excuses.

Since I took over leadership of Jordan Kitt’s in 2011, the company has experienced year-over-year sales growth, well beyond the pace of inflation. I suspect that other well-run piano retailers are experiencing similar results in today’s environment. These are the indicators of a healthy industry.

The excellent work of Congresswoman Suzanne Bonamici (D-OR) and Congressman Aaron Schock (R-IL) in the formation of the Congressional STEAM Caucus (STEM + Arts and Design) should also be mentioned, and is commendable and vital to improving the education of our children. Supported by the music industry trade organization NAMM (National Association of Music Merchants), Congresswoman Bonamici and Congressman Schock’s efforts over the last couple of years will have a further positive impact on the piano business and the musical instrument industry as a whole.

The successful piano retailers in the greater Washington DC market will agree with me that in today’s generally good economic climate, the success or failure of an individual piano store is obviously internally, not externally driven. Furthermore, there isn’t a business today in any industry in any market that would be successful by doing things the same way they were doing things even 5 or 10 years ago.

In today’s world, there are few things of true and lasting value and importance like music. There is enough reporting out there of all of the horrors in the world without having to heap on yet another negative viewpoint of one of the most important and wholesome industries in existence.

I have had the pleasure of playing the piano since I was four and a half years old. The benefits to me of this part of my cultural and educational upbringing are simply incalculable. Our industry supports these efforts not only for its own interests but also because it is the right thing to do.

Chris Syllaba
President & CEO
Jordan Kitt’s Music

Visit here for more information about piano education at Jordan Kitt’s Music

Time Magazine Reviews Yamaha’s New TransAcoustic Piano

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It’s a fully acoustic, optionally silent piano teamed with a pair of transducers and a digital sample set lifted from Yamaha’s premium CFX concert grand, producing a piano sound you’ve never heard before.

Imagine, however improbable this sounds, an electrified piano that didn’t use speakers to send music vibrating through the air — a device that required electricity to trigger its sampled sounds, but that didn’t have two or four or however many discrete sound-generating cones planted somewhere beneath the skin of its frame to conjure audible vibrations.

What if instead, the entire device were the speaker? Just as a fully acoustic piano’s soundboard amplifies the sound generated by the piano’s hammers striking strings, the electrified device could channel its digital samples through that same resonant slab of wood, in turn projecting the samples through the body of the instrument, aping the acoustic hammer-string paradigm by making the entire piano the sound source. What sort of name would you give this bizarre-sounding electroacoustic contraption?

Yamaha, which makes just such a device, settled on the name “TransAcoustic,” or “beyond acoustic.” That’s because it’s an acoustic piano with strings, but also a digital piano that can trigger samples — and if you like, a third thing that combines both and produces sounds you’ve never heard before. Yamaha unveiled it at NAMM 2013, demoed it again at the winter show in 2014, and it’s just now shipping.

Read the rest of the article at time.com

A Tribute to Clement D’Avella

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A Tribute to Clement D’Avella
1931 – 2014

Today we celebrate the life of Clem D’Avella, a man who had a great impact on so many of us in the music industry.

Clem was born in Italy but spent most of his years in the Washington DC area. He lived in Washington DC, in Sliver Spring and eventually settled in Potomac, Maryland.

In 1956, Clem began his life-long career in the music industry at the original Arthur Jordan Piano Company store on 13th and G Streets in NW Washington DC. He was assigned to the piano department and quickly became a store manager, moving to the Silver Spring, MD store. Moving steadily up the ranks he eventually became Executive Vice President
and ultimately, in 1988, President of Jordan Kitt’s Music.

Clem remained in that position until his retirement in 1991. Even after retirement, however, Clem’s dedication to the company and it’s employees remained as he was called back in 1993 to again lead the sales organization. Even after his second retirement Clem was senior advisor to Jordan Kitt’s until owner Bill McCormick’s passing in 2007.

Clem was instrumental in so many ways to the company, including the period of expansion into the Baltimore and Richmond markets. He was a key figure in the acquisitions of Wells Music (Denver market) in 1981, Wilmington Piano Company (Philadelphia market) in 1988, and Temple of Music (Virginia Beach market) also in 1988.

Clem quickly became Mr. McCormick’s right hand man, both in motivating the Jordan Kitt’s sales force and during his vendor trips to Italy with Mr. McCormick’s company, Georgetown Leather Design.

Giving back to the community and the industry was also a big part of Clem’s life through his years of service on the NAMM board. But his true contribution was his huge impact on so many lives within and outside of the industry. He worked very hard to ensure that his mother and father were well taken care of, participating in their care together with his sister. He was devoted to his family, including his wife Mary, both admiring what she accomplished in her career and cherishing their many years together, and his children, Mike and Frank.

According to friend and former Jordan Kitt’s executive Dennis Houlihan, Clem was “a man with a huge heart – filled with love and compassion.”

Clem. You were a truly great man. I will never forget the influence you had on my life and your unwavering guidance in my career. Thank you for the person you were and your invaluable contribution to this world.

Chris Syllaba
President & CEO

Jordan Kitts and NAMM in Washington, D.C. – Day 3

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Chris Syllaba with former Secretary of Education, Richard Riley (left) and Savoy Players on stilts (right).

Wednesday was the primary day for the 130 Congressional meetings on Capitol Hill that were scheduled by the NAMM Delegates. There was also a morning Congressional Briefing by Dr. Nina Kraus, PhD, Professor and Researcher at Northwestern University, for House and STEAM (Science, Technology, Engineering, Arts and Math) Caucus Staff at the Capitol. She presented findings in her latest music/brain research investigating the neural encoding of speech and music and the brain’s ability to change as a result of experience and learning new things.

This was followed by a press conference on the benefits and importance of music and the arts in education led by Congresswoman Suzanne Bonamici, Co-chair, Congressional STEAM Caucus. Also commenting were Richard Riley, Joe Lamond, and Chad Smith. Present were Larry Morton, NAMM Chairman, Bernie Williams, NAMM Delegates and others on the House Triangle.

Additionally, NAMM Leadership held meetings throughout the day with key Members of Congress, including with Speaker of the House John Boehner.

The evening concluded at the offices of Nelson Mullins with their annual roof-top party attended by over 500 guests, including government officials, clients and Nelson Mullins leadership and associates.

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Press Conference on the House Triangle. From L-R Larry Morton, NAMM Chairman; Kent Knappsberger; Bernie Williams; Dr. Nina Kraus; Actor Doc Shaw; Chad Smith; Congresswoman Suzanne Bonamici; former Secretary of Education Richard Riley; and Joe Lamond, President and CEO, NAMM.

The Fly-In concluded on Thursday morning with an 11am SupportMusic Coalition conference call from the Nelson Mullins offices. Several hundred individuals joined in on the call lead by a panel of NAMM Delegates reviewing and commenting on this year’s Fly-In. The SupportMusic Coalition is a public service initiative and advocacy effort that now unites over 8,000 national, regional and international organizations comprised of parents and community leaders seeking to improve access and opportunity in music and arts learning.

This was an exciting series of events and experiences and is a vital part of keeping music in our schools. I, along with my fellow NAMM Delegates, look forward to participating again next year!

 

Jordan Kitts with NAMM in Washington, D.C. – Day 2

Tuesday morning began with a visit to the John F. Kennedy Center for the Performing Arts. The visit was kicked off with briefings and welcome comments by Darrell Ayers, Vice President, Education, Kennedy Center; Joe Lamond, President and CEO, NAMM; Leo Coco, Senior Policy Advisor, Nelson Mullins; and Mary Luehrsen, Director of Public Affairs and Government Relations, NAMM. Briefings on Education Reform, Common Core, and Arts Education were presented by Chris Minnich, Executive Director of the Council of Chief State School Officers; Sandra Ruppert, Director, Arts Education Partnership; Richard Riley, Former United States Secretary of Education; and Maria Voles Ferguson, Executive Director, Center on Education Policy, George Washington University.

The morning continued with “Community Collaboration: Achieving Access and Equity in Arts Education”, presented by Darrell Ayers and Barbara Shepard, Director of National Partnerships, Kennedy Center. This session explored the Kennedy Center’s innovative Any Given Child initiative promoting arts education nationally. The visit was concluded with an overview and tour of the Kennedy Center, including the BlueNote at 75 exhibit, led by Kevin Struthers, Director of Jazz Programming, Kennedy Center.

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The NAMM Advocacy Fly-In Delegation at John F. Kennedy Center for the Performing Arts.

In the afternoon, NAMM Delegates participated in a working lunch at the Nelson Mullins offices. Peter Fenn, Partner, Fenn Communications Group, provided an overview of the current political climate, outlook for 2014 Congressional elections, and projections for the 2016 Presidential race. He and Leo Coco facilitated a Q&A while a select group of delegates attended a White House event celebrating the Turnaround Arts Initiative with the President’s Committee on the Arts and the Humanities. Both President Obama and the First lady were present for the event that included the Savoy Players performing.

The afternoon concluded with a training, message and logistics discussion for the Capitol Hill meetings the next day, facilitated by Leo Coco. It included individual State teams meeting in small groups to prepare for the Hill visits.

On Tuesday evening, NAMM Delegates headed for the Library of Congress for a reception and dinner honoring the President’s Committee on the Arts and the Humanities (PCAH) Turnaround Arts Initiative. The talented Savoy Players from Savoy Elementary performed a wonderful dance and vocal routine that dazzled the audience. Kristen Madsen, GRAMMY Foundation, presented the first ever GRAMMY Music Educator Award to Kent Knappenberger, a music teacher from Upstate New York. He was the top nominee in the U.S. from over 32,000 submissions.

 

Mr. Syllaba Goes to Washington

This week, Chris Syllaba, President of Jordan Kitt’s Music, and over 60 fellow members of NAMM (National Association of Music Merchants) gathered in Washington DC from across the country to advocate for music education in the public schools. During this 10th anniversary of the annual NAMM Advocacy Fly-In, over 130 meetings were held with Members of Congress and their staff about the importance of music education.

NAMM Delegates started the week with a “day of service” event, making music with students at Savoy Elementary School in Anacostia, in SE Washington DC. Savoy is one of eight Turnaround Arts project schools, a program of the President’s Committee on the Arts and the Humanities (PCAH). Delegates first met with Patrick Pope, principal, and Carol Foster, Chief Creative Officer, after which students part of the Savoy Players performed a dance routine for the group. They then participated in a drum circle, a guitar workshop, and a ukulele workshop, with assistance from NAMM members. Bernie Williams, former Yankee’s baseball player and Latin Grammy Nominated jazz musician and Chad Smith, drummer for the band Red Hot Chili Peppers, were both on hand to assist as well.

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Chris Syllaba with Chad Smith

At the first “White House talent show” where the Savoy Players performed the next day, First lady Michelle Obama declared “with the help of this [Turnaround Arts] program and some school improvement grants, math and reading scores have gone up in these schools, attendance is up, enrollment is up, parent engagement is up, suspensions have plummeted, and two of the schools in our pilot improved so dramatically that they are no longer in ‘turnaround’ status. That’s amazing.”

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Chris Syllaba with Bernie Williams

Monday evening, NAMM Delegates convened at the Capitol Hill offices of Nelson Mullins Riley & Scarborough for a NAMM Foundation reception honoring Senator Tom Harkin with a SupportMusic Award celebrating 10 years of NAMM Fly-In’s.

Review: Yamaha G2 Grand Piano

Yamaha G2 Piano Review

Although a great number of people are familiar with the brand of Yamaha, many are unfamiliar with the fact that the company has been building musical instruments since the 1800’s. The company began in Japan with its founder Torakusu Yamaha building his first reed organ in 1887. The company grew and prospered from its foundation in 1897, developing a vast array of product ranges including audio products, sports equipment, motorcycles and musical instruments.

Yamaha began making pianos in 1900, with their launch of the newly constructed models of upright pianos. This soon developed into a complete range of designs with their first grand piano being produced in 1902. The Yamaha G2 reflects the culmination of Yamaha’s decades of piano designing experience. It is an acoustic grand which produces big, clean sound with great ambience. The piano is capable of producing classic traditional sounds which create an outstanding effect. It is very easy to see why Yamaha grand pianos have become world renowned for their value and quality.

Yamaha G2 Grand PianoYamahas are a leading choice for pianists of any skill level around the world. They are consistently recommended by technicians and piano tuners simply because of the craftsmanship and uncompromising care which has been combined with the Yamaha expertise to create reliable and eloquent instruments.  Yamaha pianos are created in a state of the art production facility which utilises the skills, knowledge and dedication of an experienced workforce with an amazing degree of expertise.

Yamaha pride themselves on having in house access to a full range of technology which allows them to manufacture almost every single component of each piano themselves. This permits the initiation of development advances and maintenance of a superior level of quality control which sets the industry standard.

The Yamaha G2 features and advanced scale design and is wonderfully constructed with dovetail joints, solid maple caps and bridge, solid spruce ribs and soundboard, copper bass strings and spruce keys featuring hardwood buttons. The piano features balanced action which is unique to Yamaha designs, with specially created hammer shanks exclusive to the Yamaha range. The G2 was available in a number of finishes including polished ebony, American walnut, white, ivory or mahogany. It was also available in satin finishes such as ebony, American walnut or mahogany.

The G2 provides a well-rounded and full bodied sound. It typifies the delicate balance Yamaha has created between state of the art innovation and technology with the dedicated skills of experienced artisans. The G2 maintains the high Yamaha standard with few flaws and providing a great example of an acoustic grand.

If you are looking for used pianos, Atlanta musicians will struggle to find a model better than a Yamaha G2. It provides a wonderful tone and quality of sound which you may struggle to find on newer less crafted models. Yamaha has designed and constructed the G2 to endure the passing of time, which allows for, with a little tender loving care, a lifetimes enjoyment of this wonderful sound.

Right now, we currently have one Yamaha G2 for sale in our used pianos listings.

 

Dont Forget: Elton John “Live” at the AFI Silver Theatre

Elton John "Live" at the AFI Silver Theatre

On January 25, 2013 history was made as Elton John’s performance from Disneyland’s Hyperion Theater “brought pianos to life” around the world thanks to DisklavierTV™ powered by RemoteLive™ technology. Sir Elton’s actual piano keystrokes were faithfully re-created, note for note, in real time on each of the remote instruments, while the entire 60-piece orchestra was seen and heard on adjacent monitors, in perfect sync with the remote piano performances.

This groundbreaking performance was broadcast live to remote instruments in multiple countries including Canada, United Kingdom, France, Germany, Russia, Malaysia, Singapore, South Korea, Japan and Australia.

Join us for a very special reprise of this historic event, featuring Elton’s performance on screen at the AFI Silver Theatre in Silver Spring, accompanied by the exact nuances of his performance LIVE via a Yamaha Disklavier piano on-stage.

The event is FREE, but you must RSVP, or call (703) 573-6070