Jordan Kitt’s Music helps Strathmore introduce more than 12,000 students to classical music

National Philharmonic welcomes more than 10,000 second graders to the Music Center at Strathmore during the annual Strathmore Student Concerts from now through Thursday, Nov. 16. The purpose of the program is to expose every Montgomery County Public Schools (MCPS) 2nd grader to a live performance of classical music.

The students learn about classical music and prepare for the concert hall experience during the month of October.

For many young people in Montgomery County, the National Philharmonic is their first exposure to classical music. The orchestra was a founding partner in the annual Strathmore Student Concerts, a hallmark education initiative that welcomes every Montgomery County Public Schools (MCPS) 2nd grader to the Music Center concert hall for a live performance. The National Philharmonic, Strathmore, and Montgomery County Public Schools are shaking up the annual concerts with a new conductor, new repertoire, and new vision to better serve students.

National Philharmonic Associate Conductor Victoria Gau is now at the helm. She worked closely with key partners and educators to create an experience that aligns with evolving MCPS curricular goals. Gau wanted students to leave the concerts with a better understanding of how they process music and how it can elicit specific emotional responses. The lively new format explores rhythm, dynamics, tempo, and musical texture—foundational elements of the concert experience that can make a piece feel happy or sad, serious or lighthearted, contemplative or full of unbridled excitement.

To reinforce these touchpoints, Gau selected music that bridges the classical canon and new works, demonstrating that classical music is evolving. Works by Beethoven and Brahms are paired with compositions by American composers Leonard Bernstein and Jennifer Higdon, and music by Mexican composer Arturo Marquez. Gau was also conscious to include gender and ethnic diversity to reflect demographics in the County and show that anyone can enjoy and be a part of classical music.

The concert also includes a new commission from Bethesda-based composer Charlie Barnett, Second Grade Second Line, a short participatory work that introduces different sections of the orchestra—woodwinds, brass, percussion, strings, and keyboard.

Students are engaged through call and response, clapping, and percussive music-making from the audience—National Philharmonic musicians even get in on the fun from stage.

Gau has maintained a relationship with National Philharmonic since 2005 and joined National Philharmonic’s conducting staff in 2010. Gau is in demand nationally as a youth orchestra festival conductor. She is also Artistic Director and Conductor of the Takoma Ensemble and Capital City Symphony, where she has written and performed annual family concerts for 20 seasons.

The 2nd grader student concerts represent a $185,000 investment in public education, with sponsorship provided by The Paul M. Angell Family Foundation, GEICO, and Jordan Kitt’s Music.

via Mongtomery Community Media.  Read more here…

The 2017 William J. McCormick Teacher Grant Awards

This past Saturday, October 14th, Jordan Kitt’s Music presented the William J. McCormick Jr. Teacher Grant Awards to four area teachers. These grants are designed for the continuing music education of the teacher, or as a scholarship opportunity for a student in need.

The awards were presented at the annual MSMTA Conference at the University of Maryland this past weekend, and recipients were:


Sylvie Beaudoin

 


Immanuela Gruenberg

 


Matthew Palumbo

 


Alice Shiu announcing the award for Bonnie Pausic (in absentia)

The award is funded by Jordan Kitt’s Music as a way to help foster the continuance of excellence in music education in the Washington Metropolitan area, and is named after the modern founder of Jordan Kitt’s Music, William J. McCormick Jr.

The Montgomery County Music Teachers Association recognizes Jordan Kitt’s Music

(pictured left to right: Cynthia Cathcart, President of the MCMTA, Ray Fugere, CFO of Jordan Kitt’s Music and Alice Ma, President Elect of the MCMTA.)

Jordan Kitt’s Music was pleased to have been recognized by the MCMTA (The Montgomery County Music Teachers Association) in appreciation of recent service to the their education community.

Jordan Kitt’s has worked closely with the Montgomery County Music Teachers Association for years in helping to provide its teachers and students with special resources, including the use of its 10,000 square foot piano sales and Music Education Center on Parklawn Drive in Rockville.

The MCMTA is a non-profit organization of independent music teachers representing private music teachers of all instruments and is affiliated with the Maryland State Music Teachers association (MSMTA) and the Music Teacher National Association (MTNA). Membership in MCMTA is available to all members of the state organization.

MCMTA was founded in 1965 with 25 members as a local chapter of the MTNA. With a current membership over 225 teachers, MCMTA is the largest chapter in Maryland.

For more information about the MCMTA, visit here…

Music education proven to enhance early learning

Music is part of everyone’s life. It is all around us, all the time. It can be heard on the radio, in vehicles, at the grocery store and in our homes. It can be used to calm or to excite, and it can even be used to help the learning process. When a child becomes engaged in learning through the use of music, it stimulates them in more ways than just being easy on the ears.

Tiffany Wibbenmeyer, a band instructor at Perry County School District No. 32, said that music positively affects students, and thata musical education can contribute to other areas of their learning.

“There are very few things that literally every single culture, in any era, shares, and music is one of them,” Wibbenmeyer said. “Music engages the entire brain. It’s so good for the growth of young, and even older, minds. Music invokes emotions; to hype people up, or to make people laugh or cry.”

Many years of research have discovered that music facilitates learning and enhances skills that children use in other areas of their life. Making music involves more than just singing or playing an instrument with your fingers; learning through music makes children use multiple sets of skills at the same time.

Through the use of music they learn to work their body, voice and even their brain together. Just by practicing an instrument, children are improving their range of motor skills, such as hand-eye coordination, much like playing sports.

Children love to imitate what they see and hear around them. As the child copies things they see, they pay attention to try and imitate everything from actions to songs and words. According to the Children’s Music Workshop, the effect of music education on language development can be seen in the brain. Studies have shown that any kind of musical training helps to physically develop the left side of the brain, which is the part where language processing occurs.

Children who are musically involved, versus those who are non-musical, also show signs of a higher neurological development and activity over time. By learning to read music and identify patterns, they are constantly using their memory to perform, even by reading from sheet music. It also promotes craftsmanship and discipline, such as dedicating time to learn how to plan an instrument or a piece of music.

“Sometimes making up silly songs to go along with new material in a classroom helps students memorize things better in school,” Wibbenmeyer said.

“Even very young students use music to memorize things, just like The Alphabet Song. If you want to make something better you add music to it. I can remember songs I haven’t heard in years because the music helped me to remember the words.”

Listening to music has been proven to help young children detect different elements in sound, like an emotional meaning in a baby’s cry. Students who practice music can have a better auditory attention to pick out patterns and sounds from surrounding noise. By understanding music and how it works, children are taught to visualize the different elements and how they perform together. This can train skills in the brain that are used to solve multistep problems often found in math, art, gaming and even computer work.

Students also have been seen to improve test scores more than other students not involved in music. In a study published in 2007 by Christopher Johnson, professor of music education and music therapy at the University of Kansas, students from an elementary school involved in a superior music education program scored about 22 percent higher in English and about 20 percent higher in math on standardized tests. Another report indicates higher SAT scores from students with musical experience.

Read more here

Piano music raising the bar at elementary school

Via CBS News

These days, as Michelle Miller is about to show us. thousands of elementary school students are hitting all the right notes:

The Mary McLeod Bethune Elementary School sits in a New Orleans neighborhood stressed by violence, poverty and the after-effects of Hurricane Katrina. But don’t tell that to the music teacher.

“Ooh, everybody has such a beautiful smile this morning! Good Morning!”

Pat Sylvain-Little’s music class is a world apart. And she says there’s a lot more going on here than just a piano lesson.

“It’s something about the keyboard,” Sylvain-Little told Miller. “You have so many things you have to do at once. You’re playing with two hands. You’re trying to read the music. You’re trying to count the rhythms, all at the same time. And what researchers have found is that it sparks the brain.”

Sparking the brain of a child is what motivated Lisha Lercari to create this course that’s now being taught in 14 schools in New Orleans, and 130 in New York City.

Lercari is a music teacher on a mission.

“I think children need to read music,” Lercari said. “I want to raise the bar high for them. I want them to be thinking beings while they’re playing and not just play it. It’s making it a process of thinking about it. It’s a process of using their brains.”
music-and-the-brain-students-620.jpg

The education program Music and the Brain aims to instruct young people far beyond the rudiments of music.

CBS News

In 1996, Lercari read a Newsweek cover story about children’s brains and how they develop; how exposure to music rewires neural circuits; how, in one experiment, music lessons improved the abstract reasoning of preschoolers.

She then spoke to scientists and researchers, and asked herself: How could she translate what was happening in laboratories back into the real world?

Miller asked, “Why is this necessary?”

“It’s necessary because children don’t have music in their lives,” Lercari replied. “But it’s also necessary because of what it does in other areas of education. We have seen their literacy improve, we’ve seen their language skills in other ways improve. Music sticks. It enhances memory skills. It helps with attention. It helps them focus.”

Decades of budget cutbacks had led to the gutting of art and music classes, so Lercari got funding from various foundations, devised her own program, and called it “Music and the Brain.”

“You’re doing it. Very good job! I love it. You’re doing a great job. Keep up that singing!”

At PS 71 in Queens, New York, Claire McIntire has been teaching the course for 12 years, mostly to kindergarteners and first- and second-graders.

“I don’t want to be a music teacher where it’s taught like ‘drill and skill,’” she told Miller. “Like, ‘Let’s go. You gotta do it again! Again!’ and make it boring.

“When the kids come in the room, I want them to walk in with a smile. I want them to leave with a smile. I want them to feel good about it. Mistakes happen every day, and I want them to know that’s OK.”

Most schools discover the program through word of mouth. And when they do, Lercari arrives bearing gifts: “Keyboard lab with piano, music stands, and keyboard stands and headphones, piano books, teachers’ manuals, theory papers, posters that go along with every page of every book, CDs that are instructional, and CDs that are for fun listening, and rhythm CDs as well.”

Here’s how it works: Students first sing the melodies — classical, world, folk and children’s songs.

Next, they learn the rhythms. Then, the notes. Along the way, teachers add the history, geography and languages associated with the music.

And finally, practice at the keyboard. One or two times a week, 30 to 45 minutes at a time.

Miller asked, “Can anybody teach this?”

“Yeah, if they’re willing to work at it!” Lercari laughed. “I would say the only people who can’t teach this are people who probably shouldn’t be teaching at all.”

Lercari is in constant contact with her music teachers. If a technique works in one classroom, she believes it will work in another. But in all the schools, the key is finding teachers who care as deeply as she does — teachers like Pat Sylvain-Little.

“Pat is one of the most beautiful teachers I’ve ever worked with,” Lercari said. “So many kids in New Orleans need a way out of ‘No Way.’ And she makes sure they find it. Nobody fails in her hands.

“I can tell you she saw every child every day. And we watched the ranking of this school go straight up. Her kids can do anything.”

Sylvain-Little says, if it weren’t for these classes, most of her students would never play the piano … let alone have one at home.

“Parents will say, ‘I didn’t even know my child was studying the piano,” she said. “I have some children that have told me, ‘I practice on the kitchen table.’ You know, they sing the letters and go through the music. And so a keyboard is wonderful, but if you don’t have it, it doesn’t stop you.”

Claire McIntire said, “A lot of the parents will come to me and they’ll say during parent-teacher conferences, they’ll ask me, ‘Miss McIntire, should I buy a keyboard?’ And I always tell them, ‘Listen, it’s better than video games. It’s better than watching TV. And your child really loves it. So why not?’”

Lercari plans to expand Music and the Brain into many more schools.

She’s ready for battle.

Read more here
Or find out about education programs here

Jordan Kitt’s hosts Teacher Workshop on Technology

This past Wednesday 7/13, Jordan Kitt’s Music was proud to host “Technology to Improve Student Motivation” featuring clinician Linda Christensen, Ph.D.

There was a great turnout from teachers looking to stay engaged with students during the summer months using modern technology to keep them practicing, even while on vacation.

Linda Christensen received her Ph.D. from the University of Oklahoma, where she studied pedagogy with E.L. Lancaster and Jane Magrath. After over 20 years as a Professor of Music and Music Technology, she is now the Institutional Sales Director for Maryland/DC for Jordan Kitts Music in Rockville, Maryland. She is a frequent presenter for MTNA, NCKP, and many other national and international conferences.

To get on the mailing list for future education seminars, contact us at info@jordankitts.com

Jordan Kitt’s hosts Awadajin Pratt at the Woodburn School for the Fine Arts

Students at the Woodburn School for the Fine & Communicative Arts received a special treat courtesy of Jordan Kitt’s Music and the Fairfax Symphony! On Thursday, April 28th, Jordan Kitt’s Music and the Fairfax Symphony partnered together to bring famed pianist Awadagin Pratt to give a special concert just for the students and the faculty of the innovative school.
IMG_4417

“The Woodburn School has a wonderful mission of infusing the daily curriculum of their students with a healthy dose of the fine arts. Those in our field understand the importance the arts play in education and the role it plays in a student’s development. This matches our own commitment to music education and our vision of improving students lives through music. It was our privilege to support the Woodburn School and their students, and to see how Mr. Pratt’s performance has touched these children.”

Awadagin Pratt has been the subject of numerous articles in the national press, including Newsweek, People Magazine and New York Newsday. He was named one of the 50 Leaders of Tomorrow in Ebony Magazine’s special 50th anniversary issue and has been featured on National Public Radio’s Performance Today, St. Paul Sunday Morning and Weekend Edition. On television, Mr. Pratt has performed on the Today Show, Good Morning America and Sesame Street, been profiled on CBS Sunday Morning and was one of the featured soloists on PBS’s “Live from the Kennedy Center – A Salute to Slava.”

The piano Mr. Pratt performed on was a special Avant Grand by Yamaha and provided by Jordan Kitt’s Music. The instrument provides a concert level performance while being small enough to meet the size restrictions in most homes and schools. More information about the instrument is available here

Music makes you smarter…

Via WPSD

Want your kids to be smarter and do better in school? Maybe you should buy them a guitar for Christmas or a set of drums, especially if they struggle with math.

Amy Allen at Harmony Road Music School in Paducah says the earlier you start exposing children to music the better. She even has classes for newborn babies and their moms which are a combination of music and massage.

Local 6 visited the class “Toddler Tunes” for those 18 months to 3 years of age.

“We have instruments to play. We give them pianos to play a little bit. We move and use a lot of scarves. Anything that gets them actively engaged with the music,” Allen says.

And because everything about music is related to language, timing and beat, kids are learning how to count, how to process language and how to listen.

“Children who are in pre-school music have better memory skills and it’s been show they’re emotionally better off, socially better off. It helps with listening,” says Allen.

Katie Enlow who took piano lessons from Allen when she was a little girl, now has her two sons enrolled in pre-school music classes. She thinks both of them talked very early because of it.

But let’s take it to a college level. A recent report on college bound seniors found those with music training scored 50 points higher on their verbal SAT, and 36 points higher in the math portion.

Allen says it’s partly due to the discipline required to learn an instrument, but studies show music itself also shapes the brain, forming neural connections that make us smarter.

Read More Here or find out about lessons at Jordan Kitt’s Music here

This is what singing slime mold sounds like

When the term “slime mold” comes up in a non-scientific context, it’s usually meant as an insult that combines two disgusting-sounding words into one powerful put-down. But people might change their view of this organism if they learned it has a beautiful singing voice.

Artist Leslie Garcia of Tijuana, Mexico, captured the sounds of a slime mold called Physarum polycephalum, a microorganism found in temperate, tropical forests that lives on decomposed organic matter, and turned it into a synthesized song.

Garcia used an electronic musical instrument of his own design called the Energy Bending Lab. The instrument creates “a real-time sonification” of the microvoltage of the slime mold and amplifies it into a mellow, electronic symphony of sound patterns.

slimemold.jpg

This slime mold can make some beautiful music. Can microorganisms also sign recording contracts? Stephen Sharnoff/Visuals Unlimited/Corbis

The song the machine produces is a collaboration of sorts between the slime mold and the person operating the Energy Bending Lab. Garcia told Wired Magazine he hooked electrodes up to the slime mold in a petri dish and recorded the electrical activity. Then he ran that recording through a computer and used a voltage control oscillator to vary the oscillations of the audible sound so “the aesthetic is decided by us.”

Basically, the slime mold is the musician and Garcia is the producer, except he doesn’t try to steal any royalty rights away from the slime mold by secretly altering its contract or cooking the books.

Read more here…

Yamaha allows top Music Schools to audition online…

via fastcompany.com

Yamaha’s Player Piano Brings Auditions To The Cloud

Students audition for music schools on the other side of the world with cloud-connected pianos that record and re-create how they played.

Getting into a top music school like UCLA (where John Williams studied) or Boston College (where conductor Robert J. Ambrose studied) requires more than a demo tape. Tiny nuances distinguish the very top musicians from the merely great ones, and judges really need to hear and see an audition in person to tell the difference.

Piano maker Yamaha has convinced 20 U.S. schools, so far, to conduct in-person auditions without the actual person, using a line of Internet-connected player pianos called Disklavier. This allows students from as far away as China to audition for U.S. universities and conservatories, and use the same recorded performance—stored in Yamaha’s cloud network—for applications to multiple schools.

The Disklavier line of pianos may, at first glance, seem a bit gimmicky. It uses MIDI—a digital encoding system for musical instruments—to play back a performance recorded on another Disklavier (or on the same piano earlier). During playback, the piano keys depress and the pedals move up and down as if the instrument were possessed.

These pianos are extremely precise. On the top-end Disklavier PRO models (with list prices starting around $100,000), pedal positions are measured with optical sensors and reproduced with piston-like solenoids on up to a 256-level gradient (an 8-bit level of detail). The speed of the hammers striking the strings is measured and re-created at 1024 levels (a 10-bit level).

“A lot of intersecting musical parameters would result in a response from a listener,” says George Litterst, a music instructor who runs Yamaha’s online audition program, called Disklavier Education Network, or DEN. Take tempo. “Even when we perceive it to be steady,” he says, “there is a certain sense of ebb and flow.” Rubato—Italian for “stolen time”—refers to the slight speeding up or slowing of tempo for artistic effect.

While music schools are starting to use audio and video recordings to evaluate prospects who can’t afford to fly in for an audition, it’s hard to get a nuanced recording from a piano. “It’s just a difficult beast to record,” he says, requiring careful placement of microphones and adjustment of audio levels—not the kinds of things a typical student can do at home. The quality of the playback equipment at schools varies, too.

Yamaha’s DEN audition system also records a silent video of the player, which is synched to the MIDI file on the piano. “It becomes almost a virtual reality experience, as if you’ve beamed the student into your space and they are playing right in front of you,” says Litterst. “You very quickly lose track of the fact that the body of the performer is not on the stage.”

Read more here…